Supposed I'm using 2 guitar tracks (the same guitar but recorded in 2 different takes), and than create a group for this 2 guitar channels, how do I have to use MixMonolith (MM) and Hyper EQ? Do I put MM on the 2 channels and on the group or just on the group? Whant about Hyper EQ? Sorry, maybe the question sound silly, but I'm a little confused...
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Tech question about using Mix Monolith and Hyper EQ when grouping
Tech question about using Mix Monolith and Hyper EQ when grouping
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Thank you so much for the explanation! It's clear now.
It's good practice to use COS Pro on each guitar part as you may wish to vary their sonic fingerprints slightly in order to create a bit of separation.
Hi Menno, and thank you so much for replyng me! I perfectly understand about inserting MixMonolith, so I put it on the two channels (@ -28LUFS) and another put on the bus (@ -25LUFS), perfect. The example I made is expected to be that the two guitars are just recorded in separate tracks, but they are the same guitar and the same part, but for convenience and practicalness, it's handy to record the parts in separate tracks, so essentially the sound is exactly the same, so same sound and same frequencies. So even in this scenario I need to use two instances of COS? Thank you!
Hello, the only silly question is the question not asked. :-) ...I'd place a Monolith on each guitar part with a -28LUFS setting...then on the bus I'd place a Monolith with a -25LUFS setting.I would also place an instance of COS Pro before each Monolith...so I could EQ each individual guitar as well as the Guitar Group, always using Learn/Mix "This Channel" on each Monolith after every EQ adjustment. - Menno / Ayaicware